Vinny Peculiar's Journal

Journal type stuff from Vinny Peculiar aka Alan Wilkes; the Tony Hancock of Pop, UNCUT MAGAZINE.

Monday, March 26, 2007

The hills are alive with the sound of...

Picture this...


Lost weekenders...
Pretty...
Bass debut...
The other Bonehead + the other Vinny

Beatles... no really?
Jeff and the Alpine Boys...

Stella the celestial waitress...
Dracula...
Pouting for godot
The Italian job...
Hmmm... and so it came to pass...Craig falls down at the final hurdle with a viral infection and Karen is otherwise engaged making a record with Gabrielles Wishes so it's just the four of us plus Jeff our intrepid roadstar par excellence.. but Oh how we laughed...how we laughed. Our two shows in Munich and Innsbruck were a pleasure to behold. Many thanks to Justin at Weekender for making things happen, we really appreciate it. And for sure we'll be back...VPx

Tuesday, March 20, 2007

Tap Housing

Arriving in the US is never straightforward, changing planes in Philadelphia an hour late I dordle in the urinals when I should have gone on the plane; my patient and purposeful partner reminds me of the annoyingly casual approach I have to situations such as these. She’s right of course; I do. I don’t want to be dictated to. It’s a defence mechanism I say but not convincingly. So we have an hour to get through customs [and of course we are at the back of the queue because of my bladder stop…really I’m sorry I really am] with just an hour to collect and recheck the bags before the next flight to Norfolk which takes off from the other side of the airport. Like I said I am truly sorry. We aliens stand in line. Naturally the customs officer wants to know if I have smuggled any drugs into India, Morocco, Denmark and so on working his way through all the stamps on my passport. Naturally I get the overwhelming temptation is to say yes but…well….it’s probably not a good idea. My interview takes about 15 minutes; my partner is done in as many seconds and checking her watch. It’s touch and go. ‘They always stop me’ I protest meekly. It’s a dodgy musician thing. We just manage to make the plane with 2 minutes to spare. I’m here in the US seeing friends and playing a gig, just the one show tonight in the Taphouse Bar in Ghent. The last time I was here in '97 I played a festival at the NARO THEATRE, a benefit for the truly inspirational HOPE HOUSE organisation who’s enigmatic director Lynne Seagle is our great friend and host for the week. We are collected at the airport by Dennis the taxi driver known for his reliability and his charm. He laments the passing Reagan years with a passion only ex military persons can begin to understand. I didn’t say anything. It was a pleasure. We arrive around at 5.30 US time and the three of us take a bath together. Pay attention now… At 10.30 pm I play a simple acoustic set on a borrowed Yamaha guitar in a bar that hasn’t changed much since I last drew finger blood in the hand basin after an accident with a rusty plectrum [improvised]. It’s a battle with the yakking crowd but things improve as the set progresses. People are listening. I’d like to think I won the war. Some way into the set I feel like I’m hallucinating; I can see little pink clouds exploding in the footlights….so that’ll be the Guinness and the time delay then. Not bad. Tonight’s headliners are Lonesome George a three piece led by the hyperactive force of nature that is Jim Hazel; esteemed musician and local rock n roll enigma. They may have a lousy name but have a raw showmanship and competence that is a true pleasure to witness. Like an American Dr Feelgood . The following week me meet up with friends for a dinner party in celebration of the last one we had ten years ago. The next one can’t come soon enough. We love you Lynne, VP

Monday, March 19, 2007

Barnsley

From the outside the venue looks like a tired old working mans club, ragged Union Jacks at the windows with pebble dash concrete walls like you get in posh council housing. Truth is it's nothing but a classy indie pop club in disguise. It certainly had Craig and I fooled. How wrong can you be. As soon as we walk in the vibe is anything but hostile, bright and breezy even, Chris would be happy here. These people know what's what and are friendly and helpful. The gig doubles as a retro clothing emporium which is seriously impressive stuff; I kid you not there are racks of kitsch hand me downs stylishly placed upon several well appointed clothes rails in the corner and the stall owner wears a customised leather bomber jacket that started out life as a German trench coat. He's a dab hand with the old needle and perfectly charming. This is what you might call a good start to the evening. Soon after the sound check I’m dressing up [in mens clothes this time] and on the verge of a commitment to purchase much encouraged by the band, so should I or should I not…of course I procrastinate pathetically and pull out of the deal at the last minute, get fussy and go back to square. Jacketless in Yorkshire. Yes I know it looks OK but really it’s a fraction too small and there’s a hole the size of a fist I just spotted under the left arm. Thinking about it now I’m still a bit disappointed with myself for not just buying it, jacket, leather, tan, 70’s. I've had similar regrets with works of art and guitars. Then the rest of our travelling circus engages in more sartorial poesy; again no one commits, which is a right shame really. I really wanted to support the principle as I'm so very taken with the idea of venues as shops and then it’s time to change the subject. Manchester night it is then, billed as such, here in south Yorks, that bit I do remember from the posters. There are three bands on, all from round our way, we headline and then it’s DJ Head Bone Time. That’s when Bonehead does his DJ thing although tonight I will miss most of it. The Bone trick is to know exactly when to play Rock n Roll Star; that one always seems to get the masses a-massing. I am, it must be siad, in several minds about it and most of them have questions attached. And then finally our gig runs away with itself and we’re pleasantly surprised to see the sell out crowd paying attention; unlike the Sunderland debacle which was all people and no persona. We pull it off like a sexual pun that practically nobody gets. After the show I do grade A list conversation with a few people who seem taken with the idea of listening to the songs, although they seem to be in the minority. If am reminded of the old adage ‘the consolation prize is sometimes better than the jackpot’, which is of course complete and utter rubbish. If I were my own teacher I’d give myself six out of ten and see myself afterwards in the library or heaven forbid - the gym. VP x